![]() The best facet – the chorus by all means: “Stop talking in codes, stop talking in codes / let me know what’s up, can’t do it no more / I need a love to celebrate.” ✓ “Love Me Like You Do” reappears from Fifty Shades of Grey as potent as ever. Pop with an urban flare, “Codes” sounds as fresh and relevant as anything released in 2015. ✓ “Codes” arrives a few tracks later, hella catchy from a first listen. ✓ “Something In The Way You Move” bests it, being a fun record, despite being set in a similar situation to Florence + The Machine’s “What Kind Of Man.” Ultimately, the relationship’s dysfunctional and not going to work out, yet Goulding is into him and “can’t quit him.” Her plight is our pleasure – is that totally schadenfreude or nah? ✓ “Keep On Dancin’” follows, keeping things rolling right along as Goulding’s vocals shine, not to mention the top-rate, ‘danceable’ production work. “Aftertaste,” the set’s first full-length tracks kick things off energetically and enjoyably, though it’s not necessarily a homerun. ![]() Despite potentially underwhelming sales, Delirium features plenty of bright spots. ![]() That’s not the case, particularly considering so-so first week prognostications for her third studio album Delirium. After having hits with “Lights,” “Anything Could Happen,” and “Love Me Like You Do,” you’d think that the eclectic British pop singer would have totally blown up. UK pop sensation Ellie Goulding returns with her third studio album, Delirium, featuring amble bright spots.Įllie Goulding’s star has elevated stateside – to some extent.
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